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Established during the Winter of 2006, the Ministry for Earth Film Series is sponsored by both Arlington Street’s Green Sanctuary Committee [about] and Social Action Committee [about]. The series explores environmental concerns and a discussion follows each film. All films are free and open to the public (a donation will be accepted). Films will begin at 12:45pm in the Clarke Room. Enter from 351 Boylston Street, Boston, and walk up to the second floor (limited seating). The Friday Night at the Movies series presents films of social and political significance. The series began in the Autumn of 2006 and is sponsored by Arlington Street’s Social Action Committee [about]. See the Friday night movies on our big screen the second Friday of each month! Films are followed by a discussion. Free admission. Donations gratefully accepted for Jubilee, our generosity initiative. FNMov: Project HIPP In order to address some local issues of importance in our own Boston community, we will be looking at the impact of violence on all of our residents through Can't get to Peace in Boston without Tackling Safety of our Streets. Talia Rivera of Project HIPP will present a short video and speak from her experiences as a street outreach worker working mainly with young people and Jeff Stone, executive director of City-wide Dialogues, will describe this ongoing adult project that establishes a series of organized dialogues in Boston's neighborhoods dealing with racial and ethnic perceptions. Arlington Street Church was a site for one of these series. Our Unitarian Universalist principles speak to the respect and dignity for all and the interconnectedness of our lives. Join us to find out how you can contribute to peace in Boston.
In a stunning investigation, NOVA reports on the discovery that the amount of sunlight reaching Earth is droppinga big surprise given international concern over global warming. Less sunlight might hardly seem to matter when our planet is stewing in greenhouse gases, but the discovery of global dimming has led some scientists to claim that the Earth’s climate is heating up much faster than most previous predictions.
Hugo Chavez elected president of Venzuela in 1998, is a colorful, unpredictable folk hero, beloved by his nation's working class and a tough-as-nails, quixotic opponent to the power structure that would see him deposed. Two independent filmmakers were inside the presidential palace on April 11, 2002, when he was forcibly removed from office. They were also present 48 hours later when, remarkably, he returned to power amid cheering aides. Their film records what was probably history's shortest-lived coup d'état. It's a unique document about political muscle and an extraordinary portrait of the man The Wall Street Journal credits with making Venezuela "Washington‚s biggest Latin American headache after the old standby, Cuba."
When trade relations with the socialist bloc collapsed in 1990, Cuba lost 80 percent of its pesticide and fertilizer imports and half its petroleum--the mainstays of its highly industrialized agriculture. Challenged with growing food for 11 million in the face of the continuing US embargo, Cuba embarked on the largest conversion to organic farming ever attempted. "The Greening of Cuba" profiles Cuban farmers and scientists working to reinvent a sustainable agriculture based on ecological principles and local knowledge rather than imported agricultural inputs. In their quest for self-sufficiency, Cubans combine time-tested traditional methods with cutting edge biotechnology.
This is the story of women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a "woman". Told from the perspective of a nine year old "woman" who does not feel like or know what that label refers to, we see how devastatingly this affects both the girl and the boy with whom she had been friends. The second part is about a young woman who decides to enter a bicycle race against her husband's wishes. As first the husband and then increasing numbers of men from the village ride beside her to convince her to return home, the race begins to symbolize a freedom she desperately wants from the limitations which have been placed on her. Finally, the third part shows us an old woman who has come into some money and is now free to do what she wants. The way she chooses to use this freedom, however, makes one wonder just how free she is. MforE: Here’s My Question: Where Does My Garbage Go? |
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